#34 AMP (publication) #33 AMP (symposium) #32 AMP (in a Black Box) (film) #31 AMP (in a Black Box)(exhibition) #30 Art House Index (PUB) at BB 7 #29 I-RM#03 advertisement auction #28 Masquerade installation #27 Masquerade single screen #26 Masquerade- set photo's #25 In-Residence Magazine #02 #24 Reading Room #02 #23 Art House Index (AHI) #22 Art House Index - installation #21 Art House Index performance #20 In-Residence Magazine #01 #19 The Residence-single screen #19 The Residence-installation #18 Reading Room #01 #17 Modular #16 The Residence - location photos #15 The Good Life, a guided tour #15 The Good Life #14 artist impressions #13 the proposal #11 dream house #10 pavilion #09 pavilion-location photos #07 Lecture-Performance #06 piano nobile #05 website #04 name card #03 advertisement #02 placard #01 loft living #00 media
THE GOOD LIFE (2009)
The Good Life was a project commissioned by the Arnolfini Art Center in Bristol (UK). For the occasion Vermeir & Heiremans produced a film and a site-specific installation. The artists proliferated an idea of restructuring Arnolfini conceptually and in rhyme with the ongoing re-generation projects in the city.
In collaboration with the renowned architects office 51N4E, they developed a new design and use for the Arnolfini building with which the site will no longer be an arts centre but a residential building that embraces art in its style.
The exhibition introduced the new model and the future of the place to Arnolfinis audience through a video and sound installation, additionally through embracing the exhibition space of Arnolfini as a component. The first floor hosted a large-scale double screen video installation where the project is introduced in detail. Carly Wijs, acting as a real estate agent in the video, guides the potential buyers / residents in the premises of the building while introducing the possible usage of the space in modern living. The physical space constructed in the film is a blending of three different contemporary art museums in different countries as one single location.
The Good Life (2009) considers how strategic foresight has become part of the socio-economic plan for art institutions in the twenty-first century, locating these institutions as central in the regeneration of cities. The real estate agent guiding the tour adopts a verbal style that veils any overt notion of gentrification, while conjuring up impressions of aspiration and opulence, a lifestyle fantasy projected onto an empty shell. Incorporating high-gloss brochures and a maquette of the extraordinary building designed by the renowned architecture office 51N4E, The Good Life adopts an approach that critically over-identifies with its subject matter to the point of adopting all its rhetorical forms. The Keynesian thesis of pumping steroids into the demand is taken to an near-delusional aesthetic plane through generating unattainable desires for the individual. (Kaleidoscope 10, Current Account by Nav Haq)
This video installation also exists in a 17' single screen version, which was presented at different venues world wide.
Preview single screen version on Vimeo: http://vimeo.com/12509284
The Good Life, a video installation by Vermeir & Heiremans, in collaboration with 51N4E – Office for Architecture, Justin Bennett, Amir Borenstein, Mieja Hollevoet, Pierre Huyghebaert, Eric Jooris, Tom Trevor and Carly Wijs.
Commissioned by Curator Nav Haq for ARNOLFINI art center, Bristol (UK). A Limited Edition Production, Supported by Flanders Audiovisual Fund (VAF)